Susan Downing-White: Oil Painting Workshops
  • Workshops
  • Class Information
    • Landscape Supply List no.1
    • Landscape Supply List no.2
    • Underpainting (Indirect method #1)
    • Glazing & Scumbling (Indirect method no.1)
    • 1st handout: recipes, etc.
    • 2nd handout: glazing & scumbling
    • 3rd handout: underpainting method #2
    • 4th handout
    • Tips: taking landscape photos
    • Tips: taking pet photographs
    • Handcolor a Digital Print on Inkjet Canvas
    • Notes: Photoshop for Painters, Mobile Museum talk
    • Reference: Useful Books
    • Reassurance: For Beginning Painters
    • Supplies: Handcoloring on inkjet canvas
  • Susan's Blog
  • Contact/Galleries/Links
    • Contact/Galleries/Links
    • Cole Pratt Gallery
    • Susan Downing-White: Gulf Coast Paintings
    • Cloud Appreciation Society
    • American Artist article
    • Google Art Project

Perfect studio blues

1/21/2015

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The new studio is great: high ceilings, a huge wall of north facing windows and space enough for areas to paint, relax, stretch canvases, make tea, and do office tasks. The floor is spattered from previous tenants’ art-making, so there’s no need to worry about damage. The floor is also smooth, a necessity for someone who puts casters on nearly everything. It’s a big improvement over the large tiles in my last work space. Bump, bump, bump.  

And yet...there are days when I drag myself in to this perfect studio, fiddle with photos endlessly, and do whatever I can to postpone getting down to work. Mama told me there’d be days like these?  Well, no she didn’t and it wasn’t addressed in school either. How to find the door that opens to the garden of painterly 
bliss--everyday.

I have a library of books on the subject. My current favorite is Art & Fear. I used to buy books as if the buying and reading alone will solve the problem. I don’t anymore because I have so many I can re-read my library and it’s all new.

But there have been days when I was up against the wall with a deadline, painting twelve hour days, and cross when it was time to quit. That golden carrot is what keeps me sticking with it, year after year. And those days only happen when I show up, squeeze some paint on my palette, and start making raspy strokes on a drum tight canvas.

I hate taking the advice I give my students.



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    About the Artist

    Susan Downing-White’s work has been featured in American Artist magazine and exhibited at the National Museum of Women in the Arts, the New Orleans Museum of Art and the Mobile Museum of Art.

    Her work can be found in corporate, government and private collections. Her education includes a bachelor’s of fine arts degree in painting, and three years work in art conservation.

    A book on the creative uses of Photoshop in a traditional studio practice is in the works. Susan offers beginner-friendly workshops that explore painting about skies at different times of the day in landscape painting at locations around the gulf coast, and she welcomes invitations to travel and teach.

    Picture

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