Drawing for portrait of Samantha, collection of the artist. The way I begin a portrait is to have a conversation and later take some photographs. Back at the studio, I create a folder on my computer with all the photos and live with them awhile. This is helpful, especially if I’ve just met the subject of my painting. I notice gestures, tilts of the head, elusive expressions repeated. This is where photography is a great assist to my regular powers of observation, which sometimes are distracted by technical details of photography like lighting, cords and maybe just a bit of shyness.
In time, I start to see which photos seem most characteristic and drag these into a working folder. I may need another sitting if, say, the hands could be better arranged, or if we need a costume change. But soon I’m ready to attempt a drawing of pencil and white chalk on grey paper that describes the facial expression I’d like to capture. After this, I make an sketch to show how my impression of a unique personality might translate into oil paint on canvas.
I began this practice after my third portrait as a professional, in the late 80s. This portrait was successful with the young girl’s parents only after my third try! The first two versions are included in the show at The Artist's Place, _with a photo of the final painting. It’s nice to have them as souvenirs, but clearly I needed to find a more efficient way!
Another early portrait was declared by all to be a very good likeness, but lacked the impish spark the parents associated with their five year old son. Yet another reason to take time to prepare previews!
In time, I start to see which photos seem most characteristic and drag these into a working folder. I may need another sitting if, say, the hands could be better arranged, or if we need a costume change. But soon I’m ready to attempt a drawing of pencil and white chalk on grey paper that describes the facial expression I’d like to capture. After this, I make an sketch to show how my impression of a unique personality might translate into oil paint on canvas.
I began this practice after my third portrait as a professional, in the late 80s. This portrait was successful with the young girl’s parents only after my third try! The first two versions are included in the show at The Artist's Place, _with a photo of the final painting. It’s nice to have them as souvenirs, but clearly I needed to find a more efficient way!
Another early portrait was declared by all to be a very good likeness, but lacked the impish spark the parents associated with their five year old son. Yet another reason to take time to prepare previews!
Samantha Ray, oil on canvas, collection of Diana & Eddie Shaw. The Shaws won the portrait raffle in 2010.
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