Susan Downing-White: Oil Painting Workshops
  • Workshops
  • Class Information
    • Landscape Supply List no.1
    • Landscape Supply List no.2
    • Underpainting (Indirect method #1)
    • Glazing & Scumbling (Indirect method no.1)
    • 1st handout: recipes, etc.
    • 2nd handout: glazing & scumbling
    • 3rd handout: underpainting method #2
    • 4th handout
    • Tips: taking landscape photos
    • Tips: taking pet photographs
    • Handcolor a Digital Print on Inkjet Canvas
    • Notes: Photoshop for Painters, Mobile Museum talk
    • Reference: Useful Books
    • Reassurance: For Beginning Painters
    • Supplies: Handcoloring on inkjet canvas
  • Susan's Blog
  • Contact/Galleries/Links
    • Contact/Galleries/Links
    • Cole Pratt Gallery
    • Susan Downing-White: Gulf Coast Paintings
    • Cloud Appreciation Society
    • American Artist article
    • Google Art Project

Last details...

3/31/2014

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Picture
As I loaded my paintings into the car this morning, I noticed three of them are not yet signed! One of the paintings will be delivered late, but in time for the reception, because I measured wrong and its frame didn't fit! Ashland Gallery is rushing as I type to bail me out and get another one ready.

But the paintings are safe at the Eastern Shore Art Center in Fairhope, and I am back in the empty studio looking at the wreckage of a hurried last week. Here's a detail of Riviere du Chein, oil on canvas, 36"  x 36". I just added a congregation of birds and a lone figure in a kayak last Friday. They're not the stars of the painting, just a little reward to the close viewer. This one is available as a giclee at Ashland Gallery or on my website: www.susandowningwhite.com


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    About the Artist

    Susan Downing-White’s work has been featured in American Artist magazine and exhibited at the National Museum of Women in the Arts, the New Orleans Museum of Art and the Mobile Museum of Art.

    Her work can be found in corporate, government and private collections. Her education includes a bachelor’s of fine arts degree in painting, and three years work in art conservation.

    A book on the creative uses of Photoshop in a traditional studio practice is in the works. Susan offers beginner-friendly workshops that explore painting about skies at different times of the day in landscape painting at locations around the gulf coast, and she welcomes invitations to travel and teach.

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