Susan Downing-White: Oil Painting Workshops
  • Workshops
  • Class Information
    • Landscape Supply List no.1
    • Landscape Supply List no.2
    • Underpainting (Indirect method #1)
    • Glazing & Scumbling (Indirect method no.1)
    • 1st handout: recipes, etc.
    • 2nd handout: glazing & scumbling
    • 3rd handout: underpainting method #2
    • 4th handout
    • Tips: taking landscape photos
    • Tips: taking pet photographs
    • Handcolor a Digital Print on Inkjet Canvas
    • Notes: Photoshop for Painters, Mobile Museum talk
    • Reference: Useful Books
    • Reassurance: For Beginning Painters
    • Supplies: Handcoloring on inkjet canvas
  • Susan's Blog
  • Contact/Galleries/Links
    • Contact/Galleries/Links
    • Cole Pratt Gallery
    • Susan Downing-White: Gulf Coast Paintings
    • Cloud Appreciation Society
    • American Artist article
    • Google Art Project

Ten days...

3/20/2014

1 Comment

 
Picture
Artist's Statement overdue. Desire to say something profound, to finish the paintings and then see what thread holds them together, stalls me. Experience has taught me to slow way down, clean the palette, sweep the floor when I feel the urge to rush. “Meanders” is the name I've given the work. Related to the course of a waterway in specific, it also betrays my own way of getting things done.

Perhaps there will be twenty one paintings, or maybe one less, if Cristin at the New Orleans gallery sends one off to Santa Barbara. I've been photographing the paintings as a way of getting perspective on surfaces I've been staring at too long. Doing this, I see awkward passages, places where more focus or contrast would be good. I dread seeing Mickey Mouse in a cloud–this also prevents that.

Sometimes I know exactly what I'm after, but other times I do truly meander.


1 Comment
Margareth Hale
3/27/2014 07:14:44 pm

Hi Susan, I miss seeing you. I can't wait to see your recent work on April 4 at the ESAC.

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    About the Artist

    Susan Downing-White’s work has been featured in American Artist magazine and exhibited at the National Museum of Women in the Arts, the New Orleans Museum of Art and the Mobile Museum of Art.

    Her work can be found in corporate, government and private collections. Her education includes a bachelor’s of fine arts degree in painting, and three years work in art conservation.

    A book on the creative uses of Photoshop in a traditional studio practice is in the works. Susan offers beginner-friendly workshops that explore painting about skies at different times of the day in landscape painting at locations around the gulf coast, and she welcomes invitations to travel and teach.

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